On Saturday, presentations were divided into four panels. Sunday was dedicated to workshops. The entire programme was held in English and took place at Faculty of Arts, Masaryk University, Brno.

Keynote lectures were be given by Goda Klumbytė and Iohanna Nicenbiom and took 45 minutes each. Lectures by other participants were 20 minutes.

Main Conference Day – Saturday, 26 Nov

Registration

9:00

Opening remarks

9:50

Panel I. starts 10:00, CET

Towards New Materialist Informatics – Some Ideas on How to Do Things with New Materialism and Critical Posthumanism
Keynote lecture by Goda Klumbytė, University of Kassel

10:00-10:45

Epidermitecture: New Possible Way to Co-Exist and Rebuild Our Environments
Adam Hudec, Academy of Fine Arts Vienna, Dusts Institute

10:45-11:05

From User-Centered to a Bio-user System Perspective: Algae, Bacteria and Fungi as Users
Elena Albergati, Politecnico di Milano

11:05-11:25*

Lunch break

11:25-12:25

Panel II. starts 12:25, CET

The More-than-human Turn in Design
Keynote lecture by Iohanna Nicenboim, Delft University of Technology

12:25-13:10

Dialogism with Non-Human Others
Susanne Kass, Institute of Communication Studies and Journalism, Faculty of Social Sciences, Charles University

13:10-13:30

Duck Encounters – May I Share a Park Bench with You?
Ege Kökel, Independent researcher

13:30-13:50

Empathy-Building Multispecies Design Methodology
Priyanka Bista, Carnegie Mellon University, KTK-BELT studio

13:50-14:10*

Coffee break

14:10-14:30

Panel III. starts 14:30, CET

The Creative Agency for AIs: Poetry for AIs audiences
Paul Joseph Rivera-Carlisle, University of Postdam

14:30-14:50

In Relationship with an AI Chatbot: Preliminary Findings from a Study
Valeria Lopez Torres, College of Design, University of Minnesota, Twin Cities

14:50-15:10

Posthumanistic Management: Theory and Practice
Jakub Wydra and Maria Pieniążek, Jagiellonian University

15:10-15:30

Coffee break

15:30-15:50

Panel IV. starts 15:50, CET

Relational Participatory Design: Between the Human Culture and the Ocean
Inna Zrajaeva, Umeå Institute of Design graduate

15:50-16:10*

Painting and Inpainting Plants: A Posthuman Ecological Design Methodology
Maliheh Ghajargar, Malmö University

16:10-16:30*

Interactive Art for Nonhumans: From Interactive Art and Animal Enrichment Design to Enriching Framework for Artistic Production
Alinta Krauth, Queensland University of Technology, University of Bergen

16:30-16:50*

Closing remarks

16:50

* – speakers will be participating online via Zoom

Workshop – Sunday, 27 November

Two parallel workshops will take place on Sunday from 10:00 to 13:00. If you are interested in participation, please register here. Number of participants is limited.

Workshop Cracking Nuts led by Lucia Kolesárová

Encountering the walnut as our main actor, the workshop aims to expand the awareness towards the relationships and timeframes we share with more-than-humans. How to sense and attune oneself to an ordinary jet so distant companion? We aim to crouch under its shell and get involved with topics of growth, rest, waiting and perception of time. Thus, the walnut invites us to step away from narratives of productivity and progress.

The workshop is an experiment under the premise of rejecting modern dichotomies (object/subject, nature/culture etc.). Emphasising unlearning, attunement and mingling – as ever-fluid methods of stumbling – we aim to find „designerly“ ways of relating within a vast mesh of entanglements — a hard nut to crack.

With this workshop, we would also like to propose and bring a different than the primarily rational perspective of getting to know other than human actors, which is most often offered by research methodologies of the design process. How could we and the project we work on benefit from getting to know these actors through our senses or via our subjective experiences with them?

In her practice, Lucia Kolesárová combines design, research and art. She focuses on sustainability and regeneration of the environment and multiple agencies, dependencies, and relations within it. She is part of the design research group RIBL, Research Institute of Botanical Linguistics, which aims to attune itself and others to the dynamism of the other-than-human world and foster ways of coexistence through multispecies encounters. She is co-lead of Climate Designers Czech Republic & Slovakia, an initiative supporting not only designers to become climate leaders within their teams and organisations. Lucia is also part of a design agency focused on sustainability, Stride XL.

Workshop Diffractive Mapping as a Post-Anthropocentric Design Method led by Clyde Doyle

Our dominant anthropocentric culture and embedded paradigmatic design methodologies have contributed hugely to global ecological crises. New modes of design that draw on alternative epistemologies are urgently required to break with the extractive, growth oriented, human-centered ways of being. Those new modes of design should not simply de-centre the human, but shift us towards a shared centre, with the aim of contributing to truly ecological design practices.

In this workshop participants are invited to experiment with a post-anthropocentric mapping tool which facilitates a new way of marking how we sense more-than-human “voices” in-place; an element of a larger body of work which been developed through a diffractive methodology. We will follow the mapping with a conversation around the outcomes. The workshop will ask: what might we sense, and perhaps learn, when we attend to what is already there?

Clyde Doyle is a design lecturer and Co-Chair of the MA Design for Change at IADT, Dublin. Currently engaged in PhD in Design at the National College of Art and Design he is developing post-anthropocentric design methodologies. They are also a founding member of IADT’s new Public Design Lab (2022) which is focused on design for social and public good.

Booklet with abstracts

Where did the conference take place?

Both conference days were be held at the Faculty of Arts, Masaryk university, Arne Nováka 1, 60200, Brno, Czech republic.

Specifically, the programme took place in building B2 on the 4th floor:

  • Saturday lectures in hall B2.43,
  • Sunday workshops rooms B2.41 and B2.42.

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Visual identity, CfP, posters, banners by Veronika Sellner
Booklet with abstracts by Veronika Šmerdová


This conference is supported by the Ministry of Culture Czech Republic and Faculty of Arts, Masaryk University.

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